7 Enticing, Little-Known Annuals of the Plant World

My grandpa, agile with his hands longer for framing barns than nice cabinetry, built one of the most memorable presents of my entire early childhood: a postage stamp-size greenhouse. Heated using a set of hanging red lamps, dangling beside the farm truck and also the garage, my greenhouse further enflamed my plant addiction. The majority of my plants consisted of select annuals the regional growers wouldn’t grow. Over the years — and eventually in a much-upgraded greenhouse — I had the opportunity to test a medley of famous seasonal beauties. Of all of them, here are seven that became favorites.

CYAN Horticulture

Euphorbia ‘Diamond Frost’
(Same manly title)

It would be a stretch to claim that Euphorbia ‘Diamond Frost’ is anything elusive and rare. I think, however, that it’s underutilized. Introduced about 10 years ago by giants of the horticultural industry, this deceptively discreet tender plant is not much to check at on nursery shelves. Laced one of showier annuals, though, it enlivens any and all compositions, such as baby’s breath one of cut roses. A little bit of religion is all anglers need to ensure its achievement.

USDA zones: Tender
Water requirement: Well-drained to damp dirt
moderate requirement: Full sun to dappled shade
Mature size: 1 foot tall and broad
Seasonal attention: Summer to collapse
When to plant: Spring

CYAN Horticulture

Partridge Pea
(Cassia fasciculata)

Really infrequent is the charming sun-loving legume named Partridge Pea (Cassia fasciculata). Better known to farmers and recovery biologists, it nonetheless does a fantastic job in borders and beds, as exhibited here at the Montreal Botanical Garden. I also have seen it used on a shore to good effect. Approximately 3 feet high, it blooms.

USDA zones: N/A
Water requirement: Well-drained to dry dirt
Light requirement: Total sun
Mature dimensions: 3 1/4 feet tall and 2 1/2 feet broad
Seasonal attention: Summer to collapse
When to plant: Spring

CYAN Horticulture

Flowering Tobacco
(Nicotiana spp and cvs)

Flowering tobacco (Nicotiana spp and cvs) was a staple of spring annual sales for decades. Unfortunately, contemporary breeders have turned these aromatic and tasteful heirlooms into short and graceless cookie cutter solutions. Thankfully, some speciality seed homes and growers still offer the greater ones. N. langdorfii, N. mutabilis, N. sylvestris and the like are excellent options.

USDA zones: N/A
Water requirement: Well-drained to damp dirt
Light requirement: Full sun to dappled shade
Mature dimensions: Varies
Seasonal attention: Summer to collapse
When to plant: Spring

CYAN Horticulture

Globe Amaranth
(Gomphrena haageana ‘Strawberry Fields’)

A similar problem affects most globe amaranths: They’re so dense and short they’re hopeless to weave into any makeup. Not too much with Gomphrena haageana ‘Strawberry Fields’, a taller, more relaxed globe amaranth that sports an infinite series of bright red inflorescences. In full sunlight and a well-drained location, it poses no difficulty in any way.

USDA zones: N/A
Water requirement: Well-drained dirt
Light requirement: Total sun
Mature dimensions: 1 2/3 feet tall and 1 foot wide
Seasonal attention: Summer to collapse
When to plant: Spring

CYAN Horticulture

Red-Leaf Hibiscus
(Hibiscus acetosella ‘Red Shield’)

As misleading as it’s impactful, red-leaf hibiscus (Hibiscus acetosella ‘Red Shield’) has exchanged the typical dinner-plate-size flowers for saturated burgundy foliage. It is a vigorous grower; the small cutting purchased in the spring will rapidly become a stately shrub. I find it particularly helpful for filling those gaps left by juvenile perennials and shrubs.

USDA zones: Tender
Water requirement: Moist soil
moderate requirement: Total sun
Mature size: 3 1/4 feet tall and broad
Seasonal attention: Spring to collapse
When to plant: Spring

CYAN Horticulture

Gentian Sage
(Salvia patens)

Authentic blue is a much-sought-after colour in the backyard, and very few other plants can match sages on this wedge of the chromatic circle. Of the dozens of species available, the marginally tender Salvia patens always wins my heart. The rivalry between the sky-blue ‘Cambridge Blue’ and the dark blue ‘Oxford Blue’ is depended solely by personal preference (I favor the latter).

USDA zones: 8 to 10 (find your zone)
Water requirement: Well-drained to damp dirt
moderate requirement: Total sun
Mature dimensions: 1 2/3 feet tall and 1 1/3 feet broad
Seasonal attention: Summer to collapse
When to plant: Spring to summer

CYAN Horticulture

Silver Sage
(Salvia argentea)

Another sage, eons from the preceding one, is famed for its large white woolly leaves. As a biennial, it first hugs the ground and, even if left to overwinter, then skyrockets into a candelabra of average white flowers. Personally, I replace it every year. This kind of alien-looking plant convinced makes for a refreshing antidote to the oh-so-common stiff marigold and tacky petunia.

USDA zones: 4 to 8
Water requirement: Well-drained to dry dirt
moderate requirement: Total sun
Mature size: 1 foot tall and 2 1/2 feet broad
Seasonal attention: Spring to collapse
When to plant: Spring to summer

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Cooking With Color: When to Use Black in the Kitchen

Black is a timeless hue in fashion — there’s the little black dress as well as the debonair black tuxedo, and I’m certain I’m not the only person out there having way more pairs of black shoes in my closet than there are times of this week. Yet when it comes to decorating our homes, most of us tend to shy away from using black more than a mere accent color. Yes, black can suck a good deal of light from a room, which makes it appear bloated and dreary, but when used successfully it can be crisp, striking and refined.

Have a look at eight stunning kitchens which feature this darkest of colors, along with suggestions on how best to work with black in the kitchen.

Urrutia Design

Black absorbs rather then reflects light, so if you are using a large amount of the hue in a place, attempt to counter it with loads of light — preferably of the natural selection. The large white ceiling, skylights and wall of sliding glass doors in this kitchen greater than balance the black out.

Jordan Iverson Signature Homes

But you don’t have to have walls of windows or skylights galore to create black work in your kitchen. You can find different ways to balance it. For example, this gorgeous kitchen includes closets which have a black-washed look which makes them thick and monolithic than closets painted solid black. And since the black is paired with plenty of light neutrals and reflective materials, this kitchen feels open and light.

The Last Inch

I’m a big fan of adaptive reuse, of taking an old commercial or public-use building — in this case a one time Carnegie library in California — and converting it into a living room. I like seeing something classic or classic get tweaked with modern elements in a way that still respects the original.

Here, the big modern black pendants over the island contrast nicely with the classic exposed-brick walls. So simple, and yet the effect is dramatic and refined. The restrained yet rich colour palette of blacks, blacks and brick red is also quite profitable.

Watch more of this kitchen

Laurence Cafritz Builders

If you favor a black and white kitchen, I recommend adding another bold color or accents of warm neutral colors, taupes or beiges to keep it from appearing dull and cold. The wood floor in this kitchen warms things up nicely.

High-Contrast Kitchens for Every Style

Dirk Denison Architects

Use black to call attention to your kitchen’s intriguing architectural details, fixtures or finishes. Against a light background, these elements will stand out, whereas everything white will seep into the background.

William Roy Designer Kitchens

Consider the sheen of the dark surfaces in your kitchen, too. Matte black absorbs light and tends to look flat and dark. Glossy surfaces will reflect light into the space — however, you can definitely see the texture of the surface, so make certain it’s something you would like highlighted. This kitchen has a wonderful mix of shiny and textured surfaces, along with the crisp black actually defines the distance.

Notice how light affects color

Design Line Construction, Inc..

As it’s a neutral, black works with any other colour that you need to present. All these lemon-yellow counter stools add this black kitchen and a twist.

A.S.D. Interiors – Shirry Dolgin, Owner

Black brings a whole lot of drama into a kitchen, so it requires very little ornamentation. You truly can not go wrong with high quality finish workmanship and materials together with a restrained palette thick on black.

Jennifer Ott Design

Most paint manufacturers carry a true black hue, but be sure to check out the many shades of black accessible which have subtle colour differences. Some appear cooler, with hints of green, blue or purple; a few are warmer — of a brownish black. These subtle differences will be noticeable in abundant daylight. As with any paint colour, it’s a good idea to check a couple of different blacks in the actual room you want to utilize it into to see how the colour looks in the space and changes throughout the day and night.

4 enticing black colors to attempt (left to right):

1. Dark Kettle Black 4011-2, from Valspar
2. Caviar SW6990, from Sherwin-Williams
3. Black Berry 2119-20, from Benjamin Moore.
4. Cracked Pepper UL260-1, from Behr

Tell us Should black stay in the fashion world, or are you ready to get cooking with it?

More: Are You Ready for a Dark and Sophisticated Kitchen?

Guides: Working black into your design

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Kitchen of the Week: New Surfaces Cover Each of the Style Bases

Although small by some standards, this 85-square-foot kitchen seems pretty spacious for a New York City apartment. It was a Formica-covered wreck when the owners bought the House, in the Park Slope neighborhood of Brooklyn. The couple, who have a 1-year-old daughter, worked with Elizabeth Maletz to bring in a tidy, midcentury-inspired style. Light and dark custom cabinetry, Calacatta marble countertops and a modern backsplash design combine to make a fresh look.

Maletz Design

The prior kitchen hadn’t been remodeled since the 1980s. While the layout worked well, the Formica surfaces and worn linoleum floor sensed obsolete to the owners. Maletz maintained the simple setup but stripped the surfaces. New walnut lower cabinetry contrasts with holly on the upper cabinets and the custom fridge.

Cabinetry, shelving: South Slope Woodworks; countertops: Calacatta marble

Maletz Design

While it doesn’t work for everybody, the spacious shelving within this kitchen made sense for your household. The bits saved here create a gorgeous screen in a simple palette. A pantry in the far end “retains all the visual chaos from sight,” says Maletz.

Backsplash: Milk glass tile, Waterworks; range/oven: Wolf; faucet: Rohl Fireclay; faucet: Waterworks

Maletz Design

The owners discovered the painted timber sconce and pendant lighting themselves, and Maletz effortlessly incorporated them into the new layout. Both bits shed indirect light on the upper cabinetry. Task lighting under the upper cabinets illuminates the countertop.

Calacatta marble countertops, white walls and the milk glass tile backsplash help counter the timber.

Pendant: Nelson Saucer Lamp; dining table: Tulip Table; chairs: Wegner Wishbone

Maletz Design

Maletz replaced the linoleum with walnut parquet floors, carefully matching it with the existing flooring throughout the rest of the home. The Saarinen table, George Nelson pendant and Wegner chairs stay accurate to the owners’ love of naturally finished wood and midcentury furniture.

Refrigerator: Sub-Zero 700 TCI; folded sconce and comforter: LZF

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Stripe It Rich With a Strié Finish

Using its streaky texture and barely there colour variations, strié (a term from the French, pronounced stree-AY) is a semi classic layout technique. Although it originated as a means to evoke the appearance of thick, brushed-on paint tinged by decades of use, it’s expanded to include silk and other materials, tile and wood finishes, background and much more. It has become a favorite for its controlled yet rich visual appeal and its unfailing elegance.

All these spaces showcase strié in its various forms.

Mendelson Group

A strié wall treatment complements the undulating pattern from the art that graces this entryway. Between the two, the distance needs no additional embellishment to captivate guests.

Alan Kosa Interiors

Although strié can create a timeworn effect on pale tones like cream and gray, it also can proceed in the opposite direction on more optimistic hues. This hand-painted red background gets a hint of modern flourish using a tone-on-tone strié treatment.

Rivertown Homes by Design

A different way to get the strié appearance: Brush a sheer coat of paint or stain over timber. The unevenness of the colour and the inherent grain combine for an appealing faded appearance, just right for a shore house, cabin or rustic cabin.

LUX Design

Strié doesn’t have to be understated — a high-contrast version can yield a dramatic focal point, like with this slick kitchen island.

Shelburne Development

Tile using a strié appearance, somewhere between stone and wood in look, elevates this quietly neutral tub. The pattern provides the controlled palette a sense of power and motion.

Gina Fitzsimmons ASID

Strié can be a terrific way to tone down a hue that otherwise might be too bright for your room. A gray topcoat mutes this teal cupboard finish and gives a lovely weathered effect.

Cecilie Starin Design Inc..

Blue strié velvet on a pair of fauteuils sustains the formality of this living space, which is awash in detail and pattern. A good velvet would have appeared too plain, particularly combined with the ornate pattern on the seat backs.

Cecilie Starin Design Inc..

Following is a closer look at the velvet upholstery on the fauteuils. It’s basically two colors of blue, but the combed effect gives the impression of much greater color variation.

Are you a fan? Tell us why in the Comments!

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Fun and Eloquent in Manhattan

Carrie Hammer’s bright-colored apartment is an energy-filled house in one of Manhattan’s coolest neighborhoods, the West Village. It’s an perfect location for a young creative professional such as Hammer, founder and CEO of her own style line tailored for professional women. From an intricate aluminum painted ceiling and gloomy partitions to eclectic furnishings and artwork, Hammer’s flat mirrors her love of style and her artistic aesthetic.

in a Glance

Who lives here: Carrie Hammer and two housemates
Location: New York City
Size: Around 900 square feet; 3 bedrooms, 1 bath

Chris A Dorsey Photography

“I love what I do today, and I really like that my flat is filled with life and color,” Hammer says. She’s had housemates over the years, but the decorating is a reflection of her personal style.

Her favorite piece in the flat is the chandelier. “I’ve always wanted one,” she states. “It had been my life dream. I had a decal chandelier within my room in L.A.. Now I’ve got a real one, so that’s really exciting.”

Chandelier, carpet: Overstock.com; coffee table: Ikea; sofa: Door Store (now closed); pillows: Target

Chris A Dorsey Photography

Hammer formerly worked in ad sales. She’d go to work and think, “What we wear is so boring; it’s all just variations of black and white with no colour” Wanting to come home to an energizing haven, she adorned her space with vibrant colours.

Length: Ung Drill, Ikea; mirror: Empire Gallery and Framing; paint: Benjamin Moore

Chris A Dorsey Photography

Hanging on almost every wall in Hammer’s flat are framed fashion posters she picked up during Fashion Week in 2009. “This random subway guy was handing out these images. I took a few and thought, ‘One day I want to do so.'”

She put away the posters, then brought them out once she quit the sales job and began her fashion line, as a reminder of her want to do something more creative. “I framed them, and today I get to see them daily,” she states.

Frames: Westside Frame Shop; candleholders: Ikea; mantel clock: Linens n Things

Chris A Dorsey Photography

Her mother, artist Jean Wellshad a hand in the decor. “My mother is an artist, so I’ve grown up around art my entire life,” Hammer says. “She does oversize art, such as mosaics and things. She really did the silver wings over my TV.”

Hammer painted the iconic power.

Chris A Dorsey Photography

Hammer shares her apartment with 2 housemates. “I predict my area the bachelor flat,” she states. “It’s funny: If anyone goes out, it’s to have married!”

The dining table is a gift in the old housemate, and the mannequin is from the city’s Garment District.

Frames: Ikea

Chris A Dorsey Photography

Mannequins do dual duty as dressmaking forms and layout elements throughout the primary living spaces.

Chris A Dorsey Photography

These screen mannequins, including one covered in a toile pattern, have found a house in an unlikely area: the kitchen.

Chris A Dorsey Photography

Also in her colorful kitchen are oversize fork and spoon stickers inspired by neighborhood restaurant Great on Greenwich. Hammer commissioned the art from Etsy vendor Household Words.

“I mailed them the colour I wanted and they snapped it and delivered to me,” she explains. Great has these huge framed forks, spoons and knives I just love, so once I was decorating I pulled those out of my toolbox.”

Table, chairs: Overstock.com

Chris A Dorsey Photography

Hammer applied vinyl art by Etsy vendor Household Words to customize a straightforward Ikea Malm dresser in the bedroom.

Bedding: Bed Bath & Beyond

Chris A Dorsey Photography

The New York weather also inspires Hammer. She claims her native California, “There is no punctuation of seasons. Everyone should experience changing coasts.”

A bright purple quilt adds life into the space even on the coldest winter day.

Mirror: HomeGoods

Chris A Dorsey Photography

The painted over-sized playing card holds particular significance for Hammer, whose great-grandfather was an artist and a prisoner of war in World War I.

“In his camp the prisoners would make little trinkets and trade them with one another to get cigarettes, additional food or blankets. My great-grandfather took to painting the backs of playing cards to trade,” she states. “The general saw a deck of cards he made and moved him into a room from the camp along with different musicians, [who would] get delivered in to town to do things such as paint murals on churches”

Following five years Hammer’s great-grandfather was given a visa to go home. “I think all the time that had it was for a deck of playing cards, I literally wouldn’t be here now,” says Hammer.

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Show Us Your Christmas Tablescape

I know you have probably just finished up the last of the dishes from Thanksgiving, but when you’re hosting Christmas dinner, then it is time to begin planning your tablescape. ers, we want your help! Please add photos of your Christmas tablescape to the Opinions section below and tell us who’s coming over and the way your desk will wow them. Here are a few, from minimalist to ornate, to help get your creative vacation juices. Your entry might be featured in an upcoming vacation ideabook that was featured.

Regina Gust Designs

It’s always nice to maintain the table adorned when a meal is not imminent. The bright colors of all these organic goodies enliven this dining table for the holidays, although I have a sense this long platter was not complete for long!

Michelle Edwards

Can you live somewhere warm enough to dine al fresco? If so, I’m jealous, but I would love to understand your table.

Can you force bulbs to your centerpieces? Are you an type or a paperwhite if so? Please show us everything you have come up with to your own centerpieces and place settings. Post your very best photograph from last year or this year below!

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11 Popular Materials for Fireplace Surrounds

The fireplace has been the most prominent element at the home for centuries. In just about any configuration using a world of substances, it may be designed. From the height of the firebox opening, to the shape of the hearth, to incorporating mantels and light, the most distinguishing detail remains what we choose to pay it with. Take a look at some of the most popular substances that designers are utilizing.

Garret Cord Werner Architects & Interior Designers

Ledgestone. This sleek floor-to-ceiling fireplace is constructed from among the most popular substances currently in the marketplace. Little pieces of rock are applied vertically to look like miniature ledges, creating a soft contemporary feel.

Design idea: With no hearth and mantel, the firebox floats within the rock, almost like artwork.

Cary Bernstein Architect

Steel. An whole fireplace clad in steel has a commanding presence. The industrial feel goes hand in hand with minimalism for those who love the look.

Layout idea: Applying texture to this frequent material during manufacture ensures a unique visual thickness.

Synthesis Design Inc..

Concrete. A popular of eclectic and industrial designs, raw concrete is lasting and distinct. Aim for this hardy solution if you want to have an edgy, outside-the-box look.

Design idea: Utilizing exposed components to adhere the concrete panels to the fireplace adds a little detail which makes a significant difference.

Julia Ryan

Brick with hardwood. Exposed brick with surrounding millwork appears timeless and can be a fantastic way to update an old brick fireplace. The untouched brick adds a more textural contrast to some freshly painted mantel and surround.

Style tip: Forgo whitened or off-white; paint your fireplace surround a bold color and see that your room change from good to good.

Xstyles Bath + More

Tile. Is there anything more serene in relation to the fireplace at the base of the bathtub? Glass tile at a camel color transports this fireplace to a transitional style.

Design tip: The market above the fireplace serves as a fantastic place for vignettes, photographs and other accessories for ambience.

Jamie Laubhan-Oliver

Metal. Edgy but old college, this firebox surrounded puts an old-world material in a more contemporary form.

Design tip: Mixing and matching finishes — like with the raw wood planking, metal fireplace and extremely lacquered furniture here — feels eclectic and spontaneous.

Peter A. Sellar – Architectural Photographer

Wood. Floor-to-ceiling millwork at a coffered design surrounds this fireplace in true classic style, updated with a trendy hue of gray.

Design tip: Placing a decorative layer of rock around the firebox opening in addition to on the hearth divides all of the vertical and horizontal lines of this wood moldings.

Alpha Design Group

Slab material. A totally segmented wall pattern in wood generates this transitional center fireplace. The surround is served as by A single piece of stone with a hole cut out for the firebox. Smooth lines provide casual elegance in this living space.

Design tip: Select slabs from a rock yard’s remnants (material left over from other projects) to finish your job at far lower cost.

Harrell Remodeling, Inc..

Fieldstone. This rustic family room includes a fireplace made from stone which look and feel like they were located in an adjacent field. The wood mantel and a raised hearth beg for family parties.

Design tip: Faux fieldstone is now available for those who are looking for a more budget-friendly alternative to this look.

Garret Cord Werner Architects & Interior Designers

Marble. The quintessential contemporary living room wouldn’t be complete without a dramatic all-white Carrara marble fireplace.

Design tip: Should you desire a touch more flair, the mill can book match your rock — which is, put all of the veins of the marble to form a layout.

Plaster. Common at the American Southwest, plaster (quite like a textured drywall) fireplace surrounds are traditional in layout but oh so cozy. I enjoy dining room fireplaces!

Design idea: Eliminating a protruding hearth onto a fireplace in the dining room can free up much-needed floor space.

More: See more fireplaces | 10 Ideas for a Fireplace Facelift

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20 Ways to Create a Chartreuse Splash in the Landscape

Gardeners know that chartreuse can be combined with nearly anything, and also the range of plant choices is growing each year. Below are some ways to utilize old favorites, new cultivars and bold accents to provide garden spaces additional flair.

Paintbox Garden

1. Go for impact with a wall. This low solitude wall repeats the vivid green of yellow pitcher plant (Sarracenia spp, zones 7 to 10) in this unusual water garden made by Thomas Hoblyn to get London’s Chelsea Flower Show.

Bright Green

2. Use distance. Low-growing chartreuse plants enliven a living wall, complementing the greenish blues of the glazed pottery in this terrace at Flora Grubb Gardens in San Francisco. I really like the way the cool greens pop against the red siding.

RW Anderson Homes

3. Paint your door. While most of us prefer to stick with traditional colors, a chartreuse entrance is enjoyable in the ideal setting. The door at this contemporary Seattle home would look great hung with chili pepper lights wrapped round garlands of ivy.

When to Paint Your Door Green

Paintbox Garden

4. Enliven foundation plantings. With its feathery appearance and finely cut foliage, Golden Elderberry (Sambucus racemosa‘Sutherland Gold’, zones 3 to 8) makes a fantastic choice for foundation plantings in colour, and it tolerates moist conditions.

CAROLE MEYER

5. Integrate art with plantings. The homeowners have hung a weather-resistant modern art bit onto a swimming pool enclosure wall and also utilized chartreuse pillows to select up its trendy disposition at this Oregon home. The subject is repeated by lime-colored shrubs in containers.

Paintbox Garden

6. Play with form. Bowles Golden Sedge (Carex elata‘Aurea’, zones 5 to 9) creates the golden tuft of hair in this Vermont backyard. With its slim, grasslike type, it creates a perfect contrast plant for large-leaf hosta or black cohosh (Cimicifuga ramosa‘Brunette’ or’Hillside Black Beauty’).

Exteriorscapes llc

7. Bring red into mixed plantings. Containers soda with contrast in this Seattle backyard. For maximum impact, pair red or burgundy coleus with golden sweet potato vine in bathtubs and blend in vivid pink annuals for extra punch.

Debora carl landscape design

8. Use plants that are small as ornamental objects. I love the simplicity of the tabletop centerpiece in San Diego. The low-growing sedum (Sedum rupestre‘Angelina’, zones 3 to 8) is extremely touchable, has yellow-green new growth and looks fantastic in this black terrazzo pot.

Paintbox Garden

9. Let the shade garden be a swirl of green. Hostas (zones 3 to 9) are easily split anytime from spring through autumn, so gardeners don’t have any excuse to not mix and match — frequently. Once you start adding, watch out: Hostas are slightly addictive, as the colour permutations are endless.

Rhodes Architecture + Light

10. Create a small space feel bigger. Repeated stains of chartreuse deliver a feeling of brightness to the narrow backyard, which might otherwise have felt cramped. Plants with variegated leaves, fine texture and wide forms help brighten up the setting, and the orange lily provides good contrast.

Paintbox Garden

11. Slopes can be amazing, too. That is’Aureola’ (Hakonechloa macro‘Aureola’, zones 5 to 9), named Perennial Plant of the Year in 2009. Here it’s been planted on a dishonest bank among violets, hostas, ferns and epimedium, and creates a gorgeous focal point as it spills down the slope.

Paintbox Garden

12. Cover the ground with bold shade. This mass planting of Japanese forest grass (Hakonechloa macro‘All Gold’, zones 6 to 9) really stands out, doesn’t have any variegation and is much more significantly yellowish than’Aureola’. In addition, it is acceptable for sun and looks amazing with dispersing annuals.

13. Repeat colour to draw the attention on points. Can you see the cow? I really like the way the chartreuse pathway plantings join with all the much bed and attract the attention on the sculpture. It is a harmonious composition that’s lively and enjoyable.

Paintbox Garden

14. Concentrate on small details. Some of the easiest perennials to grow, lady’s mantle (Alchemilla mollis, zones 3 to 7) creates whorls of delicate light green florets on airy stems in midseason that combine beautifully with pale lavender cranesbill.

Paintbox Garden

15. Purple makes a fantastic companion colour. Try developing ornamental onion (Allium spp) using spurge (Euphorbia spp) for cut flower arrangements. The colors clash attractively, and it works differently. Do not ask me how.

Paintbox Garden

16. Ensure children’s play arrangements wildly enjoyable. This playhouse in the Cleveland Botanical Garden has a chartreuse painted green roof that’s full of prairie plants — certainly eye catching.

OKB Architecture

17. Show your style. Another eye-catching structure that creates a statement, this Los Angeles construction is difficult to miss. Look closely in the exterior walls to see the colors of bright green utilized.

GM Construction, Inc..

18. Bring a sense of character to outdoor living rooms. Pale green accents on this daybed produce a soothing mood and combine well with wood walls and trim, bringing character a little closer to the comforts of home.

COCOCOZY

19. Produce a stylish terrace with all-weather cushions. Lightweight pillows in lime green aid anchor a seating area and tie in to the planters and surrounding plant. Offer your patio cushions a style redo using a mix of glowing greens.

Hursthouse Landscape Architects and Contractors

20. Cool down. Make a backyard retreat more inviting using subtle variations of green, and also place comfortable furniture in a place that permits comfort and comfort. When it’s hot, nothing stinks like green.

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New Classics: The Metropolitan Chair

The Metropolitan Chair by B&B Italia has been a hit with architects and interior designers since its release in 1996. The seat is sophisticated and modern, yet its pliers and curves capability tap into nostalgia for midcentury modern design. The base foundation takes up small visual space, making the seat appear to float. Its curved form puts all the components (armrests, seat, back) in harmony; it’s the pleasing symmetry of a Pringles potato chip.

This really is a versatile seat — I’ve seen a caramel model concealed in the recesses of a masculine man cave and an elegant white one at a glamorous, blinged-out feminine bedroom. It had been important to designer Jeffrey Bernett it look great from every angle, so it can be set in the midst of an open space. An optional ottoman increases comfort and looks fantastic shared between a set of Metropolitan Chairs. Check out these photographs to decide if there’s a place on your house screaming for this sophisticated seat.

Blue Desert Interiors

This seat has a very solid presence without consuming a huge chunk of visual space.

Design Within Reach

Metropolitan Chair and Ottoman | DWR – $3,895

It comes in several colors, in both leather and cloth. The ottoman is offered individually.

The chair is perched atop a sleek cushioned base. You can spin from viewing the game over for your buddies for some at-home commentating.

A set of seats looks smashing side by side or separated by a coffee table.

Kevin Bauman

The back of the seat has pleasingly simple curves. This means you don’t have to put this baby in a corner or up against a wall. Bernett was very careful to be sure the chair looks great from every angle, together with the armrests flowing into the chair and back.

Shannon Malone

Magnets hold the neck rest in place and allow it to be flexible.

ras-a, inc..

Claudia Leccacorvi

The seat and ottoman look slick in a minimalist bedroom.

In a room for 2, a set of Metropolitan Chairs creates a nice place for a few to drink coffee, browse or lay another day’s clothing on. However, since this seat is an investment bit, I’ll not permit everyone to let laundry pile up on it.

This room features not just the B&B Italia Metropolitan Chair from the living area, but also B&B Italia Solo Dining Chairs at the dining room table.

alene workman interior design, inc

Note how the Metropolitan’s base, the ottoman’s bottom and the dining table seat bases all coordinate in this space.

More: Have a Spin in a Swivel Chair

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Plan Your Residence Remodel: The Construction Phase

It has been some time since we last looked in on our ranch house renovation project. As most projects do any delay was experienced by us. The good thing is that we are now actively engaged in the building phase of the project.

We started building in earnest right after Labor Day 2012. In the weeks since then, we have seen quite a little progress. Our builder, Steve Perry of J.S. Perry & Co., has worked on many renovation projects in Florida’s gulf coast. Perry’s experience working in this coastal zone has been a boon in getting our project moving. Actually, his Indian Rocks beach bungalow renovation convinced homeowners Mike and Leann Rowe and me that Perry was the builder we had.

Watch Part 1 of the renovation project

Before Photo

AIA, Bud Dietrich

The day that I anticipate in any renovation project is that the day that the Dumpster shows up. Demolition activities can not be too far behind using the Dumpster in place. Our builder made sure to line the region underneath with plywood to help distribute the weight, preventing damage to the driveway pavers. If you’re considering doing a renovation, be sure that you know where your builder is putting the Dumpster (in addition to portable toilets). The more you know up front, the less surprised you are going to be when the work occurs.

AIA, Bud Dietrich

Before we could begin building, we had to naturally get a building permit. The single largest issue that we have to deal with in coastal Florida, and much of the eastern seaboard, is still hurricanes. With high wind speeds, wind-driven debris and storm strikes, the impact that a hurricane could have on a building’s layout is very significant. In fact, if we were constructing a new residence in lieu of renovating an existing one, then we would have to raise the house on stilts to accommodate the inevitable flood that hurricanes cause.

11 Ways to Hurricane Proof Your House | 4 Matters a Hurricane Teaches You About Design

AIA, Bud Dietrich

Therefore the drawings used to receive our permit include details on how the structural components of the building will defy hurricane-force winds and wind-driven debris. The ways in which windows are anchored and the relations between components all have to be precisely detailed and spelled out.

Before Photo

AIA, Bud Dietrich

Perry’s team has indicated the areas to be eliminated. We always like doing a walk-through with the builder only before demolition starts so that all of us have a excellent understanding of what’s going to be eliminated and what’s going to remain, as well as everything will get stored and reused. Even though the drawings can be quite clear about all of this, nothing replaces a walk-through.

AIA, Bud Dietrich

1 task that had to be taken care of ancient was getting rid of all of the overgrown trees and bushes that surrounded the house. Sometimes trees and bushes could be saved and replanted, occasionally not. So it’s important to have a survey using a landscape architect or arborist before starting the project.

Before Photo

AIA, Bud Dietrich

Just about the first real bit of demolition work was removing the fast-food-restaurant-style storefront in the back of the house. Watch exactly what it looked like before here). The majority of the building work is going to be along this back wall, in which new glass doors and windows will replace the old storefront.

AIA, Bud Dietrich

Nothing blocked the view of the intercoastal waterway when the storefront was eliminated. However, the low ceiling and deep beam actually didn’t provide us the view we wanted.

AIA, Bud Dietrich

Altering the roofline and increasing the ceiling to catch this view was not something Mike and Leann originally conceived when they started the project, but using that grand view of blue skies and water, there’s no doubt that the excess expense will be worth it.

Bud Dietrich, AIA

Soon we will have the big sliding-glass doors and windows installed, and the house will return to become weathertight so we are able to concentrate on the interior.

Bud Dietrich, AIA

Something I truly enjoy is working with the builder to solve details in the field. We end up with details sketched on a piece of timber or something else. While this kind of sketch is not as probably needed when constructing a new residence, I find it to be standard operating procedure for renovation projects. There are simply too many unknowns to own that which completely resolved before the beginning of construction.

Bud Dietrich, AIA

We have also started to develop landscaping plans. Mike and Leann have engaged Ted Michel, a local landscape architect. Michel and I have started working on the deck layout, and he’s made a few recommendations on Mike and Leann about plantings. It is really nice when the owners, architect and landscape architect put their minds together to think of a program.

Next: The interior renovation has underway

Start in the start: Component 1 of the Renovation Diary

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