Category: Fireplaces

Slugs & Squash Vines Withered

Slugs are unwelcome guests in many gardens, feasting on your own squash plant. Since the slugs chew on vines and leaf, the vine can begin to wither. The damage caused by slugs can resemble the broken caused by various leaf-eating insects such as caterpillars. To confirm that the culprits are slugs, start looking for silvery mucous trails on and around the squash plant. As soon as you identify slugs as the cause of withered squash vines, implement proper management to rid your garden of this slimy mollusks and maintain them at bay.


Slug baits can be found to control the annoying pests feeding on your own squash vines. Baits with the active ingredient metaldehyde work best when the weather is warm. Once absorbed, the slugs dehydrate and die, generally in just a day. Unfortunately, these lures are poisonous for cats, dogs and wildlife which may consume the pellet-form lure, and shouldn’t come in contact with plants or vegetables. Baits containing iron phosphate will control slugs in your garden without posing a danger to pets, kids, fish or birds. These baits can be scattered across the squash vines in addition to across the yard or lawn. Unfortunately, since iron phosphate baits prevent the slugs from feeding, it can take several days for them to die.


Strips or bands of copper placed around the squash plants will function as a barrier preventing the slugs from gaining access to them. The slime which slugs — and snails — naturally produce reacts with the copper, causing them to obtain a unpleasant electric shock if they attempt to move upon the copper. Copper obstacles need regular maintenance to remove any debris that is lost — such as sticks or leaves — which can land on the copper strips. If not removed, the slugs can use the debris for a bridge to cross the copper and earn access into the squash vine.

Cultural Control

Whichever method of slug management you decide on, combining it with proper ethnic control will greatly decrease the amount of pests attacking the squash vines. Slugs hide underneath boards, stones, debris and in weeds during the day. By removing their hiding places, you take away the shelter they want to live. In addition, slugs favor moist, humid conditions, which can arise because of improper irrigation. Selecting drip irrigation rather than sprinkler irrigation reduces the humidity near the plants and creates a drier environment which slugs and snails do not prefer.

Other Control Approaches

Staphylinid beetle is a natural predator of slugs. Sadly, this beetle also has a propensity to feed on decaying and ripening vegetables and may cause more damage than good. Amphibians, birds and snakes also feed on slugs and help to naturally control their numbers. However, these predators generally won’t offer effective control in large slug infestations. Another option to controlling slugs without harsh chemicals is to bury a beer-filled pie pan in bottom level to trap the slugs, as stated by the Purdue University Extension. The beer acts as bait, drawing the slugs to the pan to drown.

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Orange Spots on Maple Branches

Maples (Acer spp.) , ornamentals or prized as shade trees because of their attractive foliage and shape, are occasionally bothered by any of a number of ailments. The visual appeal of orange stains or similar discoloration on pine branches will be likely cause of alarm, since it could indicate infection by a possibly fatal disease.

About Cankers

Numerous species of fungi can cause cankers regions of cells, on pine branches. Getting discolored and surrounded with a thick form of tissue and exuding resin, or it can remain hidden under bark. The leaves on portions of the walnut will become brown or yellow and wilt. The fruiting bodies of the fungi may appear on or near the canker or on the branch surface as tiny colorful bumps.

Canker Prevention and Remedy

Canker fungi rather prefer trees and do not generally attack maple trees that are healthy. Choosing a maple supplying care to it and avoiding mechanical harm to the trunk or branches, in addition to disinfecting pruning tools between cuts or uses can help prevent canker problems. Prune out dead or infected branches as soon as you notice them, making cuts into healthy wood nicely below visible cankers, to prevent the spread of this disease. It is possible to do nothing but possibly extend the standing life of this maple with cultural care once the trunk of the maple is infected. Where cankers have bothered cultivars or other trees in the past, plant only disease-resistant pine species or maples.

About Wetwood

Wetwood, commonly known as bacterial wetwood or slime flux, results when bacteria enters the maple by means of a wound and multiplies, occasionally for several decades, until pressure builds and the germs is forced from the tree via a weak place, often near a wound or crotch. This germs emerges in the shape of a slimy ooze which has a stench. The ooze can destroy plants it warms on and leaves a yellow to brown stain where it dries.

Wetwood Prevention and Remedy

Infection by germs that were wetwood is prevented by avoiding injury to wood and the bark. It can be possible by opening the wound to avoid air and liquid accumulation to take care of a infection. Drill a hole several inches deep until liquid begins to ooze out, then add a length of aluminum tubing. Once there is a maple tree extensively infected, it’s best treated by providing superior attention to the tree, such as decent watering during periods of drought. An healthy although infected tree can survive for decades.

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How Do I Use Curtains or Quilts as a Headboard?

Quilts and curtains don’t need to go on beds or cover windows, at a pinch, you can use either to earn a textile headboard. Insert a curtain rod that spans the width of the bed into the wall just beneath the ceiling if you want your curtain or curtain headboard to cover the wall. For a different effect, hang curtain rods from the ceiling at exactly the same dimension as the bed. With this procedure, you do not just receive a curtain behind the bed, but you can add sheer curtains all of the way around to model a four-poster canopy bed with no posts for a full-on intimate and feminine touch.

Cornice Box Curtain Headboard

Build a straightforward three-sided cornice box about 6 inches more than the bed is broad out of pine, plywood or medium density fiberboard and attach it to the wall with L-brackets secured with masonry anchor screws just under the ceiling. If you use a stud finder, it is possible to attach the L-brackets straight to studs using wood screws. Router the exposed edge or add crown molding to it to give it a regal appearance. Put in a curtain rod against the wall under the box, then again securing the rod to studs or with drywall anchors, to hang the curtain. Paint the cornice box at a accent or trim shade from the room.

Headboard and Window Treatments

To make a coordinated look, install a curtain rod over the bed exactly the exact same height as the one above the room’s window. On the window, add a coordinating pull-down fabric shade, including a green and white geometric pattern supporting draped sage green curtains attached on both sides to the window. Mount the exact same fabric from the shade behind the bed, ceiling to floor behind the curtain rod that holds matching green sage drapes, also tied back. Throw cushions in forest green on the bed tie the look together.

Quilted Headboard

Quilts have timeless appeal, particularly when they’re handmade. To prevent damaging the quilt, among the easiest methods to install it is to hang it over a wooden rod that spans the bed’s breadth, about 36 inches up from the bed’s surface. Sand and paint the wooden rod to match the wall colour, or stain and complete it in a shade that matches the wood furnishings in the room. Drape the quilt in half over the rod to allow it to hang equally. Don’t push the bed straight against the quilt, but leave enough room to allow the quilt freely hang.

Hook-and-Loop Self-Adhesive Tabs

When you don’t wish to add a curtain rod, wooden rod or a specialty quilt hanger into the wall behind the bed, a package of hook-and-loop self-adhesive tabs provides you a nail-free option for hanging a hammer supporting the bed for a headboard. Space the self-adhesive tabs between 2 and 3 inches apart to reduce sag on the back of the quilt, with the corresponding side adhered to the wall. Match the 2 tabs up to hang the quilt from your wall. You will need a measuring tape and a pencil to mark the places for adding the tabs into the wall and the back of the quilt.

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The way to Arrange a Room With 2 Doorways

With a little imagination and imagination, arrange any room, regardless of its shape and number of entrances, into a space that is warm and inviting. Begin by drawing up the floor plan to scale on graph paper. Cut out to-scale representations of the furniture you’ve got, and play with the design until you find an appealing arrangement. That way, you can avoid having to move the furniture around the room several times and conserve your back.

The Focal Point

A room having a focal point emits a welcoming feel. Every room needs a focal point to set the tone and mood of the room. At the bedroom, by way of instance, the bed becomes the focal point for picking the room’s colors. In a living room, a fireplace, an old mirror, a picture window, art or the entertainment centre performs the identical function. Place the focal point on a wall opposite or perpendicular to the doors into the room to steer clear of the space’s traffic from impeding the perspective, and use lighting to highlight it.

Away From Walls

Don’t shove all of the furniture against the walls when you establish a room. Rather, develop conversational areas with two chairs and a sofa opposite each other, or set the sofa close to the middle of the room facing the room’s focal point. Set up a corner of the room, in light of the flat-screen television about the same angles and lines, which means it is possible to catch up on your bead-work, knitting or crocheting, or whenever you only want to curl up with a great book when the television isn’t on.

On the Bias

You won’t find a decorating rule that states that you must maintain your furniture aligned in the square or rectangle created by the room’s walls. By putting furniture diagonally in a huge room, you don’t impede the traffic flow through it, and it may jazz up an otherwise dreary space. The very first step to making a diagonal arrangement begins with decreasing the amount of furniture within it. Don’t stuff the room full of furniture. A diagonal arrangement functions best in a room using a solid focal point and the sofa at a 45-degree angle to it. Arrange area rugs on the floor or carpet to help specify the hexagonal design.

Winging It

Two wing-back chairs angled slightly toward each other using a small table and lamp between them contrary a sofa creates a welcoming and cozy conversational location. When a living room also doubles as a dining room, utilize the sofa to produce the demarcation line to your dining room area. A sofa-high credenza during its rear doubles as a buffet place when covered with a decorative table runner. You may also use the back of the sofa to funnel traffic behind it from the instructions you would like it to go.

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When Pets Rule the Roost

Among the great things about the community is that many members seem to be pet lovers. In reality, in many photographs, it looks as though the pets reign supreme from the household. Only call them HRH, for His or Her Royal Highness.

Growing upward, pets in my household were always royal; we discovered them stealing our favourite spots on the couch, curling up beneath the covers and essentially ruling the roost. We simply never could get the heart to say no to those adorable faces.

Let us examine the typical day of a furry Royal Highness round the house.

With a wave, HRH lets you know who is boss the the sun climbs. There’s no starting your day without a tummy rub and a nice, long, purr-inducing scratch. You might find a lively paw at the eye.

This royal puppy certainly doesn’t want to have in your way as you scramble to prepare for work, and will simply take a seat onto your luxurious sheepskin duvet. HRH will make sure it stays warm for your eventual return; heaven forbid your bed becomes chilly while you are out for the day.

Amoroso Design

You’re gone! Time to test out the chaise longue and texture like 19th-century royalty.

RLH Studio

Just another day in the life of Their Royal Highnesses, moving from 1 lounge spot to another as the hours tick by. Another nap from the built in dog bed now? Sure, why not? Thus far, they have had just two.

Martha O’Hara Interiors

Royal pets not rule the roost, but silhouettes of the comrades get worked into the decoration. By early afternoon, the lighting is just right to respect the chosen wallpaper.

Robert Granoff

Hooray, you are home for a lunch break! Yes, HRH knows you have been hard at work all morning, but the sofa is a nice spot while you pay bills on the kitchen stool.

Phil Kean Designs

Time for a quick stroll around the neighborhood. Royal Highnesses do not shower by hose; they refresh by outside pet shower basking in afternoon sunlight, naturally.

Tara Seawright Interior Design

You need to go back already? Oh, man. HRH will merely have to sit down a velvet throne and ponder your absence.

Time for a gathering of Kitties Who Lunch. Eating on the floor is beneath them; they prefer your classic chair reupholstered in celestial cloth. Worry not: Royal Highnesses are meticulous about cleanliness.

Carla Aston | Interior Designer

Do not forget, HRH needs solitude! Thus, hide the litter box within a wall nook.

Martha O’Hara Interiors

A run around the neighborhood may have worn this Royal Highness straight out. Better provide some love.

Caveman Home Theaters

You’re home early in the work! Time to capture a fast movie. All these HRHs assume that since they are smaller, they get the front row.

Oh, you are throwing a dinner party tonight? HRH needs a host or hostess chair even without partaking in preparation, believing cuteness alone is sufficient to win the honor.

Sorry, but no guests are leaving this toilet with washed hands until HRH gets a rest. Do not even think about turning this faucet.

HRH heard you’d prefer some music for your own dinner party and will look at your orders.

Occasionally, HRH may require the very best seat before the fire, no matter a room filled with guests.

Lauren Liess Interiors

Whew, the dinner celebration wore this Highness straight out. Off to bed. Your bed.

First Vision Limited

The day after the celebration, HRH may experience a small hangover and will recover in the typical manner: a day of lounging.

Discuss a photo of your royal pet beneath!

50 Design-Loving Dogs
50 Cats Cozy Up at Home

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Night and Day Differences in Exteriors

Buildings might be mute, made up of inert materials in stable compositions, but perceptions of them can fluctuate greatly between when the sun is up and after it’s gone down. To accentuate that difference, this ideabook hastens homes with the same view photographed at dusk or nighttime and during the day.

During the day exterior materials make their presence known, walls are canvases for shadows, and glass reflects the environment. But at night materials fade into the background and walls frame the illuminated windows where the inside spills out. Obviously this ideabook begs considering lighting when undertaking a project, however, it’s also good to think of the home at all times of the day, as an item within the round passage of time.

At night the composition and makeup of the various windows on the home stand out: a small square window at the top left, full-height glass below, the massive opening which juts over the roof and includes integral horizontal louvers.

During the day the quantity that projects above the roof is quite a bit more notable. The stucco walls are also a great backdrop for slopes from trees in the backyard.

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The deep spaces of the house are apparent when viewed at dusk, even though it’s still bright enough to read the various exterior materials, particularly the wood slats and siding.

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That fishbowl effect disappears during the day when the trees and other environment are reflected in the massive glass windows. It is good here to point out that a number of the photos serve to underline the depth of the houses at night, such that window shades are nonexistent. Many homeowners residing with such expanses of glazing frequently install something to modulate light and views.

KUBE architecture

At dusk the inside spaces of the house literally shine, their yellowish paint standing out against the gray and white exterior walls.

KUBE architecture

In what looks to be a shooter taken not long before the previous photo, the difference is nevertheless apparent. Exterior surfaces are stronger, and the interiors are less discernible throughout the glass. Note how the reading of this yellow is aided by elements of the exterior (entrances) painted to match the interiors.

Sam Crawford Architects

Connection between outside and inside is important in this project, where a wall opens to connect a living area and wood patio. This connection is reinforced from the downlights in the roof overhang out, illuminating the patio.

Sam Crawford Architects

Together with the glass wall mounted, the view within the home occurs during the day as well, assisted by the clerestory window on the left.

David Hertz & Studio of Environmental Architecture

At night the massive roof overhang is a canvas for light spilling in the inside the glass box. A couple of downlights function a second-floor terrace over the dining room.

David Hertz & Studio of Environmental Architecture

During the day the roof shades the glass walls. Additionally, it gives a feeling of enclosure to the otherwise transparent glass box.

John Maniscalco Architecture

This is another instance where a deep roof overhang is a canvas to get mild. The glow in the inside enriches the wood surface which covers the bottom of the roofing.

John Maniscalco Architecture

That wood still has a prominence during the day, together with the cladding on the first floor, but the dark glass cuts views into the home.

Beard + Riser Architects

The glow of the house might be somewhat confusing at first. Translucent surfaces — corrugated panels, displays — give it a more distinctive appearance, a more gauzy appearance, than at the last pictures.

Beard + Riser Architects

Those same surfaces still exhibit what is going on behind them — especially framing — however they seem more opaque, as surfaces instead of veils.

Stelle Lomont Rouhani Architects

This thorougly modern home is wrapped in terraces fireplaces and upstairs at grade. Both these outdoor spaces are thoughtfully illuminated through downlights.

Stelle Lomont Rouhani Architects

During the day the warm glow of this downlights gives way to a predominantly gray and white palette. The green peripheral and grass hedges are the most powerful bit of color during the day.

David Matero Architecture

The various windows square, rectangular, L-shaped — glow in the night, bringing heat to the home surrounded by snow.

David Matero Architecture

During the day the subtle colors of the fiber cement panels are apparent as the interiors fade away from the glass.

Architecture at Night: Lanterns at the Landscape
Translucent Surfaces: A Canvas for Light and Shadow

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Protecting Hardwood Out Of Furniture Scratches

Keep your hardwood floors from becoming unsightly furniture scratches by supplying some much-needed security. As time passes, scooting furniture legs over actual wooden floors can wreak havoc. Pick from a number of protective buffers to place between hardwood flooring and your furniture legs against marring scratches, to protect the natural floors.

Keep It Covered

Put an area rug over floors to provide a cushion between the hardwood and furniture legs. For a dining area, choose a rug dimensions that extends roughly 4 feet beyond the edge of the table for scooting in and out seats from under the dining table, to allow room. From resting off the rug when you are seated at the dining table the generous rug lamp additionally keeps the chair legs. Center a room rug within the wooden floor in the midst of a seating arrangement to include a buffer and cozy texture. You are able to position the couch or chair legs to rest on the rug, with the legs on coasters while protecting the hardwood to balance the item.

Wear Socks

Look in your sock drawer when you are ready to shuffle existing furniture into a new room arrangement. By slipping a sock on every furniture leg, you supply an economical way to stop floor blemishes that are unattractive when the pieces slide into position for a new design. Pick thick socks with a shirt to provide adequate leg protection that allows you to easily slide a bit throughout the ground to a barrier that is padded. Put an rubber ring around the sock-clad leg to secure it to furniture legs.

Install Pads

To get a thick piece, like couch or a dining room table, shield the hardwood against furniture movement that is potential with pads that have a tack or nail that you gently tap in the bottom of the leg. Use stick-on that was thick felt pads to protect your hardwood from frequently scooted pieces, like kitchen chairs and bar stools. Pads are easy to affix by peeling off the paper backing and pressing them to the desired position.

Insert a Coaster

Avoid unsightly scarring on hardwood flooring by matching chair legs with coasters that are protective. These floor protectors are available in assorted diameters to accommodate specific leg dimensions, and they’re designed to fit chair legs over. A coaster typically covers approximately 1 inch of every chair leg to guard wooden floors against scratches that are damaging when the seats are scooted or tilted at an angle. A few furniture coasters are round with a slightly recessed facility to shield floors from the movement of furniture legs that are typically stationary.

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How to Hide Laundry Room Plumbing

The laundry room is a space in any real estate investment, however with the cords and hoses it is not necessarily the room in a house. If you would like to decorate your laundry room and hide plumbing, there are a few ways to make the space. Selecting a professional can get costly, but you can camouflage the majority of the plumbing yourself.

Conceal Plumbing with Appliances

Hide your laundry space plumbing behind your washer and drier. So that your washer and drier camouflage the hot and cold water faucets and the drier hose strategize the design of your laundry room. Normally the plumbing in a laundry room is low enough that you can use your appliances to hide plumbing attributes that are unattractive. Put a wooden plank between your appliances to hide cords extra pipes and vents. If you don’t have a washer or dryer, use a apparel, solid table or bookcase to hide the plumbing from view.

Store Appliances in a Closet

Create a storage place to hide appliances and your laundry room plumbing. Conceal the dryer washer and plumbing features behind closed cupboard doors or cabinetry. A little pantry cupboard or a hollowed-out shelving unit may save the pipes and appliances accessories, if your washer and drier are piled. For a traditional side-by-side washer and drier, use a coat cupboard or cabinets that are built-in to hide the appliances and plumbing. The plumbing will likely be of sight if you hide the laundry room appliances.

Create a Fabric Skirt

Sew or buy cloth skirting to disguise your laundry appliances and plumbing. Since washer and drier plumbing is located midway down a wall, then use a cloth skirt to hide the plumbing and appliances. Attach the skirting to a shelving unit over your appliances or a pressure rod between the two walls where your washer and drier are found. Lift the cloth curtain, when laundry appliances are in use and lay it on the washer and drier to access the pockets of the appliances. A cloth skirt works best with side-by-side washers and dryers.

Install Sliding Doors

Install hardwood doors facing your washer and drier to hide appliances and plumbing. This custom made project demands some carpentry skills, but all you will need is tracking a top shelf, wood panels and hardware. Paint the panels a colour or add stenciling to the doors. Doors slide open when you want to get into your washer and drier. Install rubber stoppers on the walls to keep the panels from scraping or scratching the walls.

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Mantel Makeover: By the Grade to Live-Edge Wood of Builder

“Builder’s grade, plain old wood painted at a screaming white shade.” This was inside decorator Cathy Zaeske’s lament seeing her ho-hum mantel. “It screamed ‘wrong’ to me because the day we moved in,” she says. The scale and appearance of the stark white mantel did not stand up to the two-story vaulted ceiling and the flagstone fireplace surround. She tried painting it a honey shade to help it blend in, but in the long run, she just couldn’t live with this. It was time to get a job. Beginning with a crude sketch, in five times complete (two to construct and set up; two to three to sew), Zaeske needed a stunning live-edge mantel that brought harmony to her living space. Here’s how she did it.

Before Photo

The mantel did not relate to anything in the rest of the room, and also that it was a part of the area’s focal point exacerbated the problem. “I was willing to do anything to make the mantel disappear,” Zaeske says.

Instead of making it vanish, Zaeske determined it was a fantastic chance. She had wanted to use live-edge wood in her home for quite a while, and this looked just the chance to achieve that.

She needed a crystal-clear vision in her head, but couldn’t discover any real-life examples of a floating live-edge mantel to demonstrate her carpenter, so she started doodling it.

Your Room From Cathy Zaeske

AFTER: Here’s a glimpse at the final product. The mantel fits the rest of the fireplace surround in scale and look, and gets the appropriate presence in the room, along with also the live-edge wood adds a warm and interesting feel. On to the particulars of how she did it.

Zaeske discovered the wood at Owl Lumber at Des Plaines, Illinois. “They were amazingly patient and helpful as I scrutinized each slab,” she says. “I wanted the color variation, graining and size just perfect.” The slab cost $700.

“The lumberyard thoroughly cut on the slab into three boards of my preferred size, and we hauled the treasure home in my job phone — I suggest minivan,” she says.

Zaeske had a fantastic working relationship with a carpenter (he had worked with her on other endeavors(such as this swinging daybed). “He managed to bring my crude sketch to life,” she says.

Cutting and Cutting the corners required extreme attention to detail, as they needed to line up just right to attain the wraparound appearance.

To get a more smooth appearance, her carpenter used cookies and wood glue to hold the borders in place.

He and his associate then added bottom and top pieces to create a box — which makes the mantel seem to float.

The present mantel did come in handy for something — it provided a good foundation for the new piece. They slid the new box directly over it, after adding some additional support for the weight of their new mantel.

The cassette marks signify where the new frame and the bottom of the art will hang — more on this in a moment.

Hint: Utilize sawdust to fill in the pits on a job like this.

“The pits were tight but only a hair off at a few places,” Zaeske says. “By packaging in a bit of sawdust with his finger, my carpenter made them to stay in place. Then the varnish sealed it beautifully.”

To save some money, Zaeske varnished the new mantel herself. She used six coats of Minwax Wipe-On Polyurethane, lightly sanding between each coat. While happy with the consequences, she admits if she needed to do it, she’d have used tung oil before varnishing, because it would sink and push the graining outward.

Your Favorite Room From Cathy Zaeske

Here you may see how the hard work about the corners paid off.

“We left the very bottom edge rough; it adds another dimension with a third very dark, almost black tone,” Zaeske describes. “I love the various lines, colours and variations of this wood. It’s nature’s way of color blocking.”

The lighter hues at the bottom portion pick up about the honey colours of this flagstone encircle, while the upper part works with all the red wall and present brown tones in the room.

Your Favorite Room From Cathy Zaeske

The mantel has inspired Zaeske to expand her own layout horizons at home. She is enjoying going from a more traditional style into a transitional-eclectic style and blending new and old, rustic and sleek.

Your Favorite Room From Cathy Zaeske

For example, she has been playing with the scale and materials of mantel accessories. While one instinct told her to go for taller candlestick lamps for scale, she is trying out some short chrome lamps with black shades for contrast.

She also nixed placing a TV over the fireplace. “The top of the mantel reaches 70 inches — not only is that too large to comfortably see a wall-mounted TV, but by placing the TV at the corner, it allows us to also take in the pretty view out our big windows,” she says.

Your Favorite Room From Cathy Zaeske

Following the mantel was in place, Zaeske believed her triptych needed a tweak. She had a frame made with 11/2- by 11/2-inch strips, then painted it light gray.

“it’s very special to us, as it is the same tree and view that we consider some time sitting by the fire in our cherished family cottage in Door County, Wisconsin,” she says. “Those minutes are so very valuable that I knew I needed to bring that peaceful feeling home.” The angle and placement of the image give her the same vantage point of this tree that she’s in the next photograph.

“The new frame functions on so many levels — its clean lines help move the space from traditional to transitional; it is airy and light; it supplies pleasing contrast with the walls; it ties in with all the stone of the fireplace; and it literally frames my favorite tree in the world, which makes the focal point additional notable,” she says.

Wall paint: Confederate Red, Benjamin Moore

Browse live-edge mantels

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Roots of Style: Château Architecture Strides Through a Century

As per a recent analysis by the American Institute of Architects, Biltmore is America’s eighth favorite construction. This château-style, or châteauesque, mansion is an indelible image of riches from the Gilded Age. Commissioned by an heir of the Vanderbilt family around 1889, the astonishing 178,000-square-foot house with 250 rooms, located near Asheville, North Carolina, is the largest private house built at the U.S.

Its celebrated architect, Richard Morris Hunt, based the design upon French châteaus located from the Loire Valley. These 15th- throughout 17th-century country estates of those noble and royal classes, were a mixture of late-Gothic and Italian Renaissance architecture that resulted in exceptional French Renaissance creations. Hunt’s interpretation comprises numerous elements of the original French châteaus, with the parts organized into a fantastical and stunning architectural masterpiece.

The original château design developed around 1880, and homes were constructed in small numbers, largely from the northeast, for approximately 30 decades. The design rarely reached other areas of the nation in that time. It’s likely that other examples were constructed through the center of the 20th century, but late-20th-century home construction booms produced both extravagant and much more small examples across the nation.

The Biltmore Company

Seeing from left to right in this photo of Biltmore, notice the components that specify the design. Most originals had thick masonry structure, as does Biltmore, and were clad with stone and then topped with a steeply pitched hip roof farther improved with metal cresting.

An elaborately detailed parapet-type dormer divides the eave line, suggesting the loft story. Massive and detailed chimneys reach high to clear the steep and active roof ridges. A flattened arch defines lower-level windows and arcades. The detail and positioning of ascending window kinds reveal the location of the stairs.

Gothic stone tracery defines primary openings surrounded by shallow relief carvings. Spires and pinnacles extend the construction into a fractal finale.

Beausoleil Architects

Let’s return to earth and welcome this small but whimsical French château–fashion abode. This small stone, not far from San Francisco, openings with a delightful play of decoration and height that creates its individuality. Compare the detailing here to Biltmore and you can understand the inspiration.

Most originals in the late 1800s were asymmetrical, such as Biltmore. However, Renaissance influences probably persuaded some architects to balance the homes with symmetry, according to the primary part of the house.

Fusch Architects, Inc..

Château design borrows French diverse design and could be differentiated through the features found in Biltmore or the Renaissance classical details present in this house.

This handsome symmetrical facade holds a lovely balance of components. Notice the segmented arched windows of the flanking elevations along with also the classical delineation with Roman arches at the centered entrance. Classical pilasters, a belt line along with a pediment with stone relief further specify the carefully detailed composition. Two varieties of detailed dormers and pinnacles cresting the fashionable summit cue the original châteauesque taste.

Less formal than the previous example, though still carefully balanced, this newer house has the steep hip roof, detailed chimneys and cresting detail of the design. Note also that modern examples of the design are typically constructed of wood-framed structure, compared to their ancestors. The stone here is a veneer.

Derrick Architecture

Though this house could be considered French diverse, an attempt was made to imply a château by the usage of pinnacles and stone detailing. A belt line and broken eave additionally communicate a château impression. Notice the brick veneer, which can be located on a lot of examples during the design’s history.

Distinctive Dwellings – Thayne Hillrichs

This lively composition definitely takes its inspiration from château style. The symmetrical facade combines many components normally found in much more complicated houses.

Fusch Architects, Inc..

This formal example has a symmetrical central altitude flanked by minor extensions to the left, and generous but lower elevations to the right. Small but detailed dormers remaining in the primary roof, while bigger dormers split the eave line on the right side. Another bigger and highly detailed dormer and two little vent dormers cap the roof over the porte cochere.

Hollingsworth Design

Notice how this kind achieves the perpendicular expression significant to the design. Pinnacles, comprehensive port dormers, quoins, a belt line, window tracery and a wrought iron railing lead gently, in moderate quantities, to cleverly provide the château identity.

Eskuche Design

Notice the symmetrical and asymmetrical composition of the handsome home. The main body of the house is balanced exactly, however the porte cochere and abandoned appendage still complement the design. Notice that the elevation. Asymmetrical large and tiny windows rhyme with the other components.

Eskuche Design

To appreciate the flexibility of châteauesque architecture, analyze this back elevation of the exact same home. Generously proportioned windows open up to the personal outdoor spaces. This indoor-outdoor effect is not easily achieved in most conventional styles.

Fusch Architects, Inc..

At first glance this classically detailed facade appears symmetrical. On closer inspection, however, you are going to see more complex appendages along with a narrow interruption to the left of the entrance, adding to the pleasure of its design. Also notice the way the roof over the entrance is more steeply pitched.

Platinum Series by Mark Molthan

This generous house relates more clearly to Biltmore in its lengthy facade and varying particulars. You will find shed dormers and stylish dormers set into the primary roof shape, and stylish and arched dormers that split the eave line. The entrance sits within a little inset with a detailed surround.

Barnes Vanze Architects, Inc

First townhouse examples with lots of the components found in Biltmore live in big Northeastern and Midwestern cities. But this house keeps the design with slight classical detailing and a vertical emphasis.

Fusch Architects, Inc..

This house achieves a nation château saying through rough-faced stone and a slightly relaxed conversational composition. The exquisitely detailed entrance follows the typical châteauesque theme. See the brick chimneys with the implied quoins, a wonderful contrast to the stone.

Though modern design theory might eschew the imitation of styles like châteauesque, an affection persists among the public for areas with such different identities. Can we ever question that our reinterpretation of classical design with the use of materials accessible to us, instead of those used by the ancients?

As history will repeat itself, that the current attraction to modernism will probably cycle, and formerly established styles or variants of these will return. There’s no right or wrong regarding this matter. Certainly other styles will emerge, but is not it nice to have such a rich vault of design and so many choices?

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